Leigh Bardugo's first foray to adult fantasy and dark academia is not only a cautionary tale about messing with the supernatural, but is also a sobering exploration to campus culture, especially its social aspects where connections and status directly translate to power.
The Kingdom of Liars by Nick Martell (The Legacy of Mercenary Kings #1)
The Kingdom of Liars is a solid, enthralling debut offering a story of costly magic, betrayal, murder, and ultimately the worth of a legacy โ especially in a world where memories are fleeting and not always trustworthy.
These Violent Delights by Chloe Gong (These Violent Delights #1)
These Violent Delights do have violent ends indeed.... and Chloe Gong's debut masterfully sings their tune to the pandemonium of 1920s Shanghai where malice both monstrous and human swirl together in vicious harmony.
The Stone Knife by Anna Stephens (The Songs of the Drowned #1)
Anna Stephens is back, and her second series starts off bloodier, grittier, and more brutal than ever. Never has music sounded more terrifying in The Stone Knife, where colonisation is as unapologetically bloody as it is devious. The Stone Knife is indisputably one of the most impressively insidious entries in the fantasy genre I've read in 2020.
The Fires of Vengeance by Evan Winter (The Burning #2)
Evan Winter's follow up to The Rage of Dragons has it all: spectacularly violent action, bigger scopes, higher stakes, and dramatic storytelling that is bolder and better than ever.
